Bye Bye Blackbird – Kansas City Band

Bye Bye Blackbird – Kansas City Band







Bye Bye Blackbird バイバイ ブラックバード Ray Henderson レイ・ヘンダーソン
Kansas City Band カンザスシティバンド
http://sound.jp/kcb/
http://ift.tt/2oDiESz
2009 11/20 浅草HUB

from Bands In Kansas City http://ift.tt/2qEXZff

Kansas City by Fisher Middle School Jazz Band

Kansas City by Fisher Middle School Jazz Band







Performance for Music in the Parks competition April 2013

from Bands In Kansas City http://ift.tt/2p07Dfj

Rainbow – FDC WINNER (Kansas City, MO)

Rainbow – FDC WINNER (Kansas City, MO)

from Bands In Kansas City http://ift.tt/2qtWuTL

I Put A Spell On You (6/25/2014 Kansas City, MO)

I Put A Spell On You (6/25/2014 Kansas City, MO)







Widespread Panic performs “I Put A Spell on You” with members of Galactic on June 25th, 2014 at the Starlight Theatre in Kansas City, MO.

Shot & Edited by Andy Tennille
Audio by Andrew Liposack

from Bands In Kansas City http://ift.tt/2p9S2pC

ちょっとそこ行くレイディ – Kansas City Band

ちょっとそこ行くレイディ – Kansas City Band







ちょっとそこ行くレイディ　下田卓
Kansas City Band カンザスシティバンド
http://sound.jp/kcb/
http://ift.tt/2oDiESz
2007 12/21 浅草HUB

from Bands In Kansas City http://ift.tt/2p9rjJI

Bennie Moten’s Kansas City Orchestra – Let’s Get It (1929)

Bennie Moten’s Kansas City Orchestra – Let’s Get It (1929)







Bennie Moten (Nov.13,1894 – April 2,1935) was a noted American jazz pianist and band leader born in Kansas City, Missouri.

He led the Kansas City Orchestra, the most important of the itinerant, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s Big Bands.

His first recordings were made in 1923, and were rather stiff interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the Ragtime that was still popular in the area.

They next recorded in 1926 for Victor Records in New Jersey, and were influenced by the more sophisticate style of Fletcher Henderson.

By 1928 Moten’s piano was showing some Boogie Woogie influences, but the real revolution came in 1929 when he recruited Count Basie, Walter Page and Oran ‘Hot Lips’ Page. Walter Page’s walking bass lines gave the music an entirely new feel compared to the 2/4 tuba of his predecessor Vernon Page, coloured by Basie’s understated, syncopated piano fills.

The 10 legendary December 13,1932 recordings, made when the band were barely staving off literal starvation, show the Basie sound in embryo, four years before Basie recorded under his own name – in fact Moten does not even play on these sessions. By this time Ben Webster and Jimmy Rushing had also joined.

After Moten’s death in 1935 after an unsuccessful tonsillectomy, Basie took many of the leading musicians from the band to form his own orchestra.

Bennie Moten’s Kansas City Orchestra – Let’s Get It (1929)

from Bands In Kansas City http://ift.tt/2pvsXIa

Double Dog Sports & Entertainment-Kansas City

Double Dog Sports & Entertainment-Kansas City







Double Dog Sports & Entertainment -Horse ‘n’ Around- in Kansas City at the College Basketball Experience

from Bands In Kansas City http://ift.tt/2qCe3xs